Composers
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Blog Archive
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- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
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- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
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- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
- Anthony Cheung in Residency at 113 Composers Collective
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- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
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- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
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- Lei Liang: Deriving Worlds
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(8 posts)
- Hannah Lash at the New York Philharmonic Biennial
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- Christopher Cerrone's "High Windows" on Q2 Music's "LPR Live" Podcast
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- Alex Mincek Portrait Concert at Miller Theatre
- Ted Hearne Premieres "Baby (an argument)" with Ensemble ACJW
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(7 posts)
- Kate Soper Profiled on NewMusicBox
- Timo Andres at the Phillips Collection
- Sleeping Giant at Carnegie Hall and Le Poisson Rouge
- Josh Modney Performs at Spectrum NYC
- Lei Liang Performed by the Mivos Quartet
- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
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- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
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- Two New Works by Timo Andres
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- Sound Icon Performs Ken Ueno's "Zetsu"
- Andrew Norman Premieres "Switch" at Utah Symphony
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- New Works on PSNY: Wollschleger, Ueno and Cerrone
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- JACK Quartet and ACO Premiere New Alex Mincek Concerto
- Rufus Wainwright's "Prima Donna" on Deutsche Grammophon
- New Works by Timo Andres on PSNY
- Vijay Iyer Joins PSNY!
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- Opera News from PSNY Composers
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- New Works from Evan Ziporyn, Lei Liang, René Leibowitz, Christopher Cerrone, and Hannah Lash
- The British Are Coming! To PSNY!
- A Keeril Makan Premiere, Conducted by Richard Carrick
- Tobias Picker on Tzadik Records
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Newsletter
Posts tagged 'electric guitar'
Richard Carrick, Uptown & Downtown
Who says that the Uptown/Downtown divide still exists? Richard Carrick's music might be proof that the entire island of Manhattan (and Brooklyn, too) are truly open territory for new music. This week, on January 29th, Carrick will see his string quintet, Adagios, performed by the Toomai String Quintet at Spectrum NYC, a biotech office-by-day, new music space-by-night, on the Lower East Side. Carrick is also curating a series at Spectrum called Friday Night LOUD, for "full-volume contemporary music", which kicks off with virtuoso electric guitarist Dan Lippel on February 6th.
Taking the F train uptown will get you to closer to the West End Theater, where Catherine Tharin and three other contemporary dancers have created choreography set to Carrick's Stone Guitars. Their performance will run from February 5th-8th.
Check out Tharin's choreography below!
Adrian Knight: Performances in New York, Upcoming Long-Form Piano Composition
San Francisco's Mobius Trio, a classical guitar trio composed of Robert Nance, Mason Fish, and Matthew Holmes-Linder, is coming to New York to perform Adrian Knight's Bon Voyage, a work for three guitars that was composed specificaly for these players. The trio will perform this work in three venues: November 5th at Spectrum in Manhattan, November 6th at Shapeshifter Lab in Brooklyn, and November 7th at Van Dyke Park (AKA New Amsterdam Records' space in Brooklyn). Check out a video of them performing this work on some beautiful, vintage guitars:
Also, be on the lookout for a new, long-form composition for Piano by Adrian Knight, commissioned by pioneering new music pianist R. Andrew Lee. The piece is a result of Lee's commissioning project for new works "of considerable duration" by Knight and Randy Gibson. The new work is set to be performed at the Wayward Music Series in Seattle, WA, in 2015, and will also make its way to the East coast. Lee said he was inspired by Knight's composition Unruhe, from his 2008 Ricky Bruch Album. Check it out here:
The British Are Coming! To PSNY!
Steve Martland (1954-2013) and Gavin Bryars (1943-) are two of the most interesting British composers of the 20th and 21st century, bringing unique compositional voices to the concert hall and beyond. Both innovators, they bent the rules of what concert music could be to introduce a plurality of musical aesthetics into their work, and into the lives of their listeners. And now, for the first time, select pieces of chamber music by both of these composers are available for immediate digital download from PSNY.
Steve Martland, whose voracious appetite for musical influence knew no boundaries, and whose work involved groups as diverse as Manchester's Factory Records and the King's Singers, brings us two works: Kick, for flute, bass clarinet, percussion, piano, violin, and cello; and Starry Night, for string quartet and marimba.
Bryars' works on PSNY include It Never Rains, for electric guitar, viola, cello, and double bass; and The South Downs, for cello and piano. Listen to a recording of The South Downs here.